Mark-making as a practise of storing temperament that can be tapped into the future.
Illustrations for an online programme, virtual work-in-progress book, and meta-blog.
Whereby artists around the world participate in the giant group project of documenting their day, hour-ish by hour-ish.
Process post on my zine Good Boy: an imagining of the canine afterlife. TW: death, euthanasia, loss of a pet.
A concertina risograph zine exploring free will, whereby I attempt to create an illustrated mathematical expression that literally unfolds in your hands.
Some of my favourite drawings are the ones drawn absent-mindedly. I love it that marks on a page can coalesce into a magic puppy under the influence of a polka-haired mage.
Drawn under the pre-show cinema glow of Ryuichi Sakamoto: Coda—a documentary portrait of the titular artist directed by Stephen Schible.
10 days of ink-dipping for #inktober under the theme of Fauna Fatale (animals x death).
It is of my current understanding that it’s an illusion—yet I’ll persist as if it weren’t…for what choice do I have?
Lately I’ve been spotting too many inelegantly-knotted tethers on the end of boisterous dogs.
I was replaying scenes from recent real-life experiences that sent deep wincey squirmy cringes throughout my body.
My favourite little companion, π, comes in many forms, and as such is an endless muse for drawing practise.
Ongoings from what would otherwise stay hidden inside tattered journals, obsoleting devices and my mortal head.
Serving suggestion: 🍵
© Kim Lam 2015-onwards ⦚ ✎
A tribute-illustration to Death, Duck & the Tulip by Wolf Erlbruch—one of my favourite books of all time.